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In "Snail’s Gallop," Lee Kun-Yong traverses the floor of the gallery, squatting and marking the ground with continuous lines in a live performance at the Guggenheim. The artist contrasts this mundane act with the incremental movement of his body, by which his two feet partially erase the drawn lines as he moves through space. #ExperimentalArtInKorea
😂
8 vor Monaten
@tulliofrancescodesantis @_barbaraschedl_ @jessica_ruth_freedman @alisonveinoartstudios @elisabethhecknoel @thehappypaintress I found this rather beautiful and taking the time to watch was a mindful lesson about speed all my love Claire 💝
8 vor Monaten
Yes. It was nice when he reflected upon his perspective, contrasting his age and youth.
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Absolute shite.
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🙌😍
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🩷💜🩷💜🩷💜🩷💜🩷
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