It’s called the Orfeo ed Euridish Towel, and we aren’t even the slightest bit sorry about the corny wordplay.😌
For his gift to the cast of this season’s revival of Gluck’s Orfeo ed Euridice, countertenor
@ARCostanzo collaborated with materials scientist and Ph.D. student Jack Forman (
@FormaJ ) to create the Orfeo ed EuriDish Towel! Developed in the
@MITMediaLab and Center for Bits and Atoms, this towel contains an image made from hydrophobic ink that was intricately patterned using an experimental screen-printing process. Through the moisture of Orfeo’s tears, a fleeting image of the doomed couple appears before their tragic reseparation. The image is a halftone encoding of the illustration by Charles Monnet from the 1764 original printed score, and the superimposed “Orfeo” text is Gluck’s handwriting, extracted from the 1762 original manuscript.
Use it to dry your eyes during the show—or your dishes after the post-performance midnight snack. The image is ephemeral, just like the human voice, so the towel must be used to be enjoyed!
Get yours now at the Met Opera Shop (linked in our bio).💦
Orfeo ed Euridice is on stage through June 8. Mark Morris’s breathtaking production stars Costanzo and soprano Ying Fang (
@yingletsings ) in the title roles. J. David Jackson conducts.
Book your tickets now at the link in our bio.
Video by Jack Forman
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