Asya Geisberg Gallery

@asyageisberggallery

45 White Street, NYC Current: Matthew Craven, “Rendezvous with Rama,” 5/31-7/3. Upcoming: “Cover Band,” curated by Gabriela Vainsencher, 7/11-8/16
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AGG will be closed for the holiday weekend July 4-6, and will reopen with our upcoming exhibition “Cover Band” on July 11, curated by Gabriela Vainsencher. @gabriela_vainsencher “Cover Band” is a group exhibition of 14 artists creating homages, satires, ripoffs and paeans to those they admire. This work by Gabriel Orozco reveals the artist’s dry sense of humor in the way he mixes meticulously rendered geometric abstraction with the real world. You can usually spot an Orozco from a mile away, and the artist isn’t known for overt references to other artists. However, “Cover Band” offers a rare work that is both a cover of another artist’s work, and very much outside of Orozco’s signature style. Titled “Spiral Pee Pee,” it is of course a riff on a famous work in which geometry meets the physical world: Robert Smithson’s “Spiral Jetty.” Image: Gabriel Orozco, Spiral Pee Pee, 2005, Fuji crystal chromogenic archive c-print, 16h x 20w in. Participating artists include: Lisha Bai, Michael Bühler-Rose, Noa Charuvi, Byron Kim, Elisabeth Kley, Ani Liu, Fabienne Lasserre, Sharon Madanes, JJ Manford, Rebecca Morgan, Gabriel Orozco, Sara Shaoul, Barb Smith, Elisa Soliven. @lisha_bai @mbuhlerrose @noa__charuvi @skybluekite @ehkley @ani.liu.studio @fabiennelasserre @sharonbrenda @jjmanford @_gabrrriel.orozco_ @rebeccamorgan10 @shaoulstudio @barbject @elisasolivengerber #summerexhibition #groupexhibition #gabrielavainsencher #LishaBai #MichaelBuhlerRose #NoaCharuvi #ByronKim #ElisbaethKley #AniLiu #FabienneLasserre #SharonMadanes #JJManford #RebeccaMorgan #GabrielOrozco #SaraShaoul #BarbSmith #ElisaSoliven
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FINAL day to see Matthew Craven's "Rendezvous with Rama." Come by to see the show before we close for the holiday weekend July 4-6. @mcrvn Image: Matthew Craven, Detail: "NEVERWHERE.," 2024, Pencil and ink on found paper, 45h x 30w in. Photography by @etienne_fro . #MatthewCraven #FinalDay #RendezvouswithRama #workonpaper #scifi #language #asyageisberggallery
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Congratulations Julie Schenkelberg on your upcoming solo exhibition “Parlor Trix,” at Abattoir Gallery, in Cleveland, OH, July 2-October 12, 2024. @julieschenkelberg @abattoirgallery Location: 2615 Detroit Ave, Hingetown, Ohio City Abattoir is pleased to announce an exhibition of sculptures by Julie Schenkelberg at Abattoir, at The Quarter. The exhibition focuses on the three-dimensional work, Parlor Trix, and includes newer wall sculptures based on this seminal piece. Schenkelberg hails from Cleveland; her mixed-media installations are responsive to the post-industrial landscape of her youth. In her practice, she pulls found materials from the domestic sphere—furniture, dishware, textiles, and marble. Often these material signifiers are combined with concrete, resin, and construction materials to reframe the viewer’s notions of domesticity and engage with the region’s RustBelt’s legacy of neglect and decay. Just as Cleveland and the region have embraced a more optimistic outlook, so Schenkelberg brings a poetic, even lighthearted tone to her subject. She views the notion of home as a playground for formal and conceptual subversions. Familiar furnishings rekindle premonitions of collapse, but also the unexpected juxtapositions of fragile materials such as cloth and porcelain, with industrial products including discarded metal and concrete. She brings past experience in scenic theater design to her artistic practice, embracing theatricality in her sculptural installations. Image 1: Parlor Trix, Acrylic, cloth, aqua resin, plaster, found table, vintage window, and wood, 6 x 5 x 3 feet Image 2: Domestic Bliss, 2024, butter knives, dry wall plaster, paint, 25 x 23 x 2 inches Image 3: Devil’s Treasure Chest, 2024, Aqua Resin, plaster, and paint, 32 x 20 x 3 inches Image 4: Garden of Moon, 2024, Aqua Resin, plaster, and paint, 32 x 20 x 3 inches Image 5: Victorian Delight, 2024, Aqua Resin, plaster, and paint, 32 x 20 x 3 inches Image 6: Babylon 1, Aqua Resin, plaster, and paint, 32 x 20 x 3 inches #julieschenkelberg #wallsculpture #installation #clevelandartist #rustbelt #construction #domesticity #decay
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Treasure detail on the back of the this vintage movie poster Matthew Craven used to create HYPERION - “pocket full of miracles.” Just a few more days to catch @mcrvn ’s “Rendezvous with Rama,” on view through July 3. Stop by AGG on this beautiful summer day! Image: Matthew Craven, HYPERION., 2024, Pencil and ink on found paper, 40h x 30w in. #matthewcraven #rendezvouswithrama #finaldays #workonpaper #scifi #vintageposter
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Check out Angelina Gualdoni’s interview with @awomensthing , talking about her recent work shown at @futurefairs . Link to article is in our bio! @angelinagualdoni Photo credits: Portrait: @frankiealduino Art: @etienne_fro #angelinagualdoni #futurefair #awomensthing #artistinterview
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“Self (Contained)” is opening tonight 6-8 pm @ryanleegallery , featuring Gabriela Vainsencher! Curated by Elizabeth Denny and Katie Alice Fitz Gerald. @elizabethofdenny @katiealice_art Artists: Paula Wilson @paulalights , Paul Anagnostopoulos @paolopablopaul , Lizzie Gill @lizzie.gill.art , Gabriela Vainsencher @gabriela_vainsencher , Amanda Valdez @thunderloves , Damien H. Ding @damiending , Francesca DiMattio @francescadimattio , Stephanie Syjuco @ssyjuco , Brian Bress, Holton Rower and Camille Billops. Images: Gabriela Vainsencher, Three Muses of Flowing Abundance (Maiden, Mother, Crone), 2023, Porcelain, glaze, underglaze and acrylic, 30h x 20w x 0.25d in. Photo by @etienne_fro . Gabriela Vainsencher, Epic, Heroic, Ordinary Again, 2023, Porcelain, glaze, underglaze, and acrylic, 30h x 20w in. Photo by @etienne_fro .
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Sneak peek of new Muecas sculptures by Rodrigo Valenzuela for The Armory Show, September 6-8🔥 @rodrigovalenzuela_studio @thearmoryshow #rodrigovalenzuela #thearmory #ceramics #sculpture #language #gesture #muecas
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One more week to see Matthew Craven's "Rendezvous with Rama," on view through July 3! @mcrvn Installation views by @etienne_fro . #matthewcraven #rendezvouswithrama #finalweek #asyageisberggallery
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If you’re out and about tonight make sure to stop by the Bunk Club, where Ricardo Gonzalez is presenting his new zine with 50 drawings @ricardo_gonzalez_v @bunk_club Each drawing is accompanied by a numbered and signed zine. Emma Peel Room 6-8pm 266 Broome St, New York, NY 10013 #ricardogonzalez #zine #artistzine #worksonpaper
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While looking at Matthew Craven's, "NEVERWHERE.," 2024, pencil and ink on found paper, 45h x 30w in, peruse through Isaac Asimov's "The Collapsing Universe: The Story of the Black Holes" at the gallery. @mcrvn Asimov's book is a totally absorbing investigation of the concept of black holes; dying stars with so much gravity that they suck in everything around them. In a world of star-quakes, anti-matter, red giants and white dwarfs, a star more massive than our own sum can disappear into a black hold from which not even light can escape. When this happens, the laws of physics have no meaning. #matthewcraven #rendezvouswithrama #isaacasimov #TheCollapsingUniverse #BlackHoles #dyingstars #lawsofphysics
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Our poster arrived for the group exhibition “Cover Band,” curated by Gabriela Vainsencher, July 11 - August 16, 2024. @gabriela_vainsencher “Cover Band” is a group exhibition of 14 artists creating homages, satires, ripoffs and paeans to those they admire. Art history is full of references to previous artwork, from subtle nods to full-on appropriation. For this exhibition, each artist was invited to create a work that considers this practice from the perspective of the cover song, a term borrowed from the pop-music world. A cover can shed new light on an iconic work. It can bring it back from obscurity. Sometimes it overshadows it. A Spotify playlist of cover songs will accompany the exhibition, playing at the opening and available on the Asya Geisberg Gallery website. The public is invited to suggest additions to the list throughout the run of the show. Participating artists include: Lisha Bai, Michael Bühler-Rose, Noa Charuvi, Byron Kim, Elisabeth Kley, Ani Liu, Fabienne Lasserre, Sharon Madanes, JJ Manford, Rebecca Morgan, Gabriel Orozco, Sara Shaoul, Barb Smith, Elisa Soliven. @lisha_bai @mbuhlerrose @noa__charuvi @skybluekite @ehkley @ani.liu.studio @fabiennelasserre @sharonbrenda @jjmanford @_gabrrriel.orozco_ @rebeccamorgan10 @shaoulstudio @barbject @elisasolivengerber #summerexhibition #groupexhibition #gabrielavainsencher #LishaBai #MichaelBuhlerRose #NoaCharuvi #ByronKim #ElisbaethKley #AniLiu #FabienneLasserre #SharonMadanes #JJManford #RebeccaMorgan #GabrielOrozco #SaraShaoul #BarbSmith #ElisaSoliven
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#Repost Matthew Craven: “As part of #rendevouzwithrama , I left a stack of some of my personal Sci-Fi books. Today let’s talk about…HEGIRA, a 1979 science fiction novel by American writer Greg Bear. It deals with themes including cyclic time, artificial intelligence, artificial life, and artificial structures of planetary scale. I was drawn to this book by its incredible cover depicting giant obelisks. In this human realm, these are inscribed with the recorded history of humankind, sorted chronologically from the bottom up, including the science that went with it. Very cool concept and a pretty dense book with some pretty far out story telling. Go check out the exhibition if your in NYC and flip through my copy of HEGIRA” 📚 @mcrvn Image: photo of HEGIRA in front of Matthew Craven’s “RINGWORLD.,” 2024, pencil and ink on found paper, 60h x 40w inches. #matthewcraven #ringworld #hegira #scifi #cyclicaltime #obelisks #planetaryscale #asyageisberggallery
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