For our year-end "Influences" series, we asked BOMB contributors to share something from a discipline outside their own that impacted them in 2022—everything from Game of Thrones to nature to haikus from friends. Follow the link in our bio to read our year-end list.
Our round-up from our visual arts contributors include reflections from @frequentlyaskedquestion , Jessica Jackson Hutchins, @atelier.lj , @marcswanson , @maryymanningg , @melissajoseph_art , @calmatetupedo , @d__ent , and @stephentowns .
In the Editor's Choices from BOMB's winter issue, @xaymacans reviews @marilyn.nance_ !!re!!_039;s new book of photography, Anthony Coleman listens to the latest edition of @laraaji_official_ !!re!!_039;s recordings from the '70s, @svetlanakitto reframes AIDS cultural production alongside @mediapraxis and @tedkerr , @marcossgonsalez considers how performance art can collapse borders through @amberbemak_ !!re!!_039;s documentary on Guillermo Gómez-Peña, @tianareid examines desire in @hilton.als_ !!re!!_039;s MY PINUP, @richblint revisits a debate at the center of @erstheater_ !!re!!_039;s latest play, and @dlb taps into the groove on @rawpoetic_ !!re!!_039;s new album.
Follow the link in our bio to read our selection of short criticism.
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In an exclusive interview for BOMB's fall issue, the Ukrainian artist Dana Kavelina spoke to @olia_off and @monikafabijanska about 'Letter to a Turtledove,' her film on the eastern region of Donbas and the ramifications of war and violence from the early twentieth century. According to Kavelina, "in the history of Donbas, like in a crystal, we can see almost all the problems of today’s Ukraine." This clip is excerpted from the twenty-minute film. To read the full conversation between the Ukrainian artists and watch more of the film, follow the link in our bio.
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For a special episode of FUSE presented in partnership with @TheArmoryShow , Julio César Morales (@jcm_3000 ) reveals to @tanyaaguiniga the shockingly low number of curators of color in the US and discusses his mentorship collaboration with @lacma . Follow the link in our bio to listen to their whole conversation on Apple Podcasts, Spotify, or wherever you get your podcasts.
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BOMB's quarterly round-up of fellowships, residencies, and prizes currently accepting applications for the summer season is now up! Featuring new opportunities from @nyscouncilonthearts , @macdowell1907 , @centerforbookarts , and more. Follow the link in our bio to browse and apply!
#fellowship#residencies
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For BOMB’s summer 2022 issue, Juan Logan shares the inspiration behind his Elegy paintings: the unreliability and subjectivity of memory.
BOMB’s Behind the Cover series provides an intimate look inside the artwork on our quarterly magazine. Through video, audio, text, and other bonus content, visionary artists share exclusive insight into the inspiration and creation of the work we’re grateful to feature on our covers.
Pre-order your copy of BOMB 160 by following the link in our bio!
On the cover: Detail of Juan Logan’s Small Elegy #11 , 2021, acrylic paint on Stonehenge Aqua hot press paper, 10 × 14 inches. Courtesy of the artist and Galerie Kremers, Berlin, Germany.
#juanlogan
BOMB's 40th Anniversary Art Auction is now open. Featuring work by Francis Alÿs, Walton Ford, Alex Katz, Claude Lawrence, Vera Lutter, Eddie Martinez, Estate of Gordon Matta-Clark, Lucy Raven, Donald Sultan, Mary Weatherford, and more. Follow the link in our bio to place your bids, and bid early and often—the auction closes on April 14.
Powered by @artsy .
#art#auction
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BOMB’s new Behind the Cover series provides an intimate look inside the artwork on our quarterly magazine. Through video, audio, text, and other bonus content, visionary artists share exclusive insight into the inspiration and creation of the work we’re grateful to feature on our covers.
In this video for BOMB’s spring 2022 issue, Christopher Myers (@kalyban ) focuses on details from his textile work, A Story Falls Into the Ocean (Based on the Film Touki Bouki), and the iconic 1973 Senegalese film that inspired them.
Christopher Myers’s interview with Sharifa Rhodes-Pitts appears in BOMB 159. Click the link in our bio to pre-order the Spring 2022 issue.
Credits:
Clips from Touki Bouki (1973) by Djibril Diop Mambety
Track: “Sorrow Tears and Blood” by Tunde Adebimpe, Kyp Malone, Kronos Quartet, Stuart Bogie
Edit: Christopher Myers and Tania Balan-Gaubert