NOW OPEN / Organized by Alissa Bennett, ‘The Secret History’, is a group exhibition titled after Donna Tartt’s beloved mystery told in reverse.
“I suppose in many ways, I think ‘The Secret History‘ is a book that ponders why we so often fail to calculate that the world doesn’t always change in the ways we think it does; it’s not just us who are dissatisfied, people have always looked for ways to escape.“ — #AlissaBennett
Featuring artists: Chino Amobi, Hope Atherton, Matthew Barney, Nicholas Bierk, Matt Hilvers, David Jones, Karyn Lyons, Ruby McCollister, Michele O’Marah, Jonesy and Tim Jackson, Kayode Ojo, Shigeo Otake, Micki Pellerano, Adam Putnam, Rachel Rose, Arisa Yoshioka, and Marissa Zappas.
‘The Secret History‘ is currently on view until August 2, 2024 at 130 East 64th Street.
Photo: Daniel Greer
@arnoldfriend6#TheSecretHistory#Gladstone
#OnView / @FondationCartier presents Matthew Barney: SECONDARY, the artist‘s first institutional exhibition in France for over a decade. The new work demonstrates the complex superposition of real violence, its representation, and the culture of spectacle. Barney's interdisciplinary work allows viewers to explore the complex connections between myth-making, material potential, physical capability, and the looming threat of entropic collapse.
Matthew Barney: SECONDARY is on view until September 8, 2024 at The Fondation Cartier pour l’art contemporain in Paris.
🔗 Learn more at the link in our bio.
Photo: Eva Herzog
@pacecarforthehubrispill#MatthewBarney#SECONDARY#FondationCartier
@FLAGArtFoundation ‘s group exhibition ‘The Swimmer‘ is inspired by John Cheever's 1969 short story of the same name. The show includes Jim Hodges’ “If There Had Been a Pool it Would Have Reflected Us,“ a tan and turquoise blanket that resembles an imaginary landscape. Hodges‘ work often blurs the lines of an object‘s intended function and meaning.
Navigating themes inherent in ‘The Swimmer‘ and Cheever’s broader oeuvre, including alcoholism, grandiosity, loss of innocence, selective memory, privilege, sexuality, etc., the exhibition trains an eye to the crumbling of an American dream, set against the glittering backdrop of a string of swimming pools. On view through August 9, 2024.
Photo: Steven Probert
#JimHodges#TheSwimmer#FLAGArtFoundation
For PBS @NewsHour ’s ongoing series, ‘Art in Action’, LaToya Ruby Frazier provides an in-depth look at her solo exhibition, ‘Monuments of Solidarity’, currently on view at @TheMuseumofModernArt . The artist met with journalist Jeffrey Brown to discuss her creative practice and the intersections between art-making, collaborative activism, and the power of photography. 📽️ Watch the full video at the link in our bio.
LaToya Ruby Frazier: Monuments of Solidarity is on view through September 7, 2024 at The Museum of Modern Art.
Video: PBS
#LaToyaRubyFrazier#MonumentsofSolidarity#MoMA#PBSNewsHour
#OnView / Carrie Mae Weems: Remember to Dream examines the evolution of her creative, politically engaged practice over the past 30 years, tracing significant moments of racial reckoning in the United States through the artist’s own lens. @CCSBard highlights an array of works from large-scale installations to serial bodies of photography, and foregrounds lesser-known works that draw in the context of Weems’ lived experiences and commitment to activism. Through investigations of history, identity, and power, Weems‘ work sheds light on the connections between personal experience and the structures and institutions that shape people’s lives. On view through December 1, 2024.
🔗 Learn more at the link in our bio.
Photo: Olympia Shannon
@CarrieMaeWeems#CarrieMaeWeems#RemembertoDream#CCSBard
NOW OPEN / Joeun Kim Aatchim: Minimally Invasive (최소침습) marks the artist’s first exhibition at Gladstone Seoul with new paintings and drawings on silk, a site-specific audio installation, and sculptures. Referring to the idea of a memory palace–an imagined structure that serves as a mnemonic aid and as a home for one’s memories–the artist uses the resources of her multidisciplinary practice to construct a physical and metaphysical space for remembrance.
Joeun Kim Aatchim: Minimally Invasive (최소침습) is on view until August 3, 2024 at Gladstone Seoul. 🔗 Learn more at the link in our bio.
Photo: Jeon Byung-cheol
@aatchim#JoeunKimAatchim#MinimallyInvasive#GladstoneSeoul#Gladstone#아침김조은#최소침습#글래드스톤갤러리#글래드스톤서울
NEW! French artist and AI early adopter Philippe Parreno turns exhibition-making into contemporary magic ✨
In this installment of Meet the artists, Art Basel visits Parreno in his Paris studio to discuss how he invites audiences to experience art, not just view it
Philippe Parreno never ceases to redefine the art of exhibition-making. Using film, performance, sculpture, and installation, the French artist orchestrates time and space to create environments where the exhibition itself is the artwork
Tap the link in bio to watch the full film on NOWNESS🔗
Artist @atelierphilippeparreno
Director + Editor Matteo Lonardi @matte0_lon
Production @cornelia.prod
Line producer @thomas.oak
DOP @fyraslaiman
Focus puller @lolaloubet
Gaffer @silvain.gabayet
Sound Recordist @max_sound_mixer
Production Assistant Réouven Rebot
Post Production @theblinkfish
Post Production Producer @virgifolo
Editor @jan_devetak
Sound Designer @dehazemusic
Color @lucamoro_
NOW OPEN / Matthew Barney’s ‘SECONDARY: object replay’ traces the artist’s career-long interest in the relationship between the body, transmogrification, physical possibility, and the deep-rooted history of violence that serves as a cornerstone to the American psyche.
‘SECONDARY: object replay‘ is on view through July 26, 2024 at 530 West 21st Street. New York galleries are now open Monday - Friday from 10am - 6pm.
@pacecarforthehubrispill#MatthewBarney#SECONDARY#SECONDARYobjectreplay#Gladstone
Opening Tonight in New York & Seoul
❌ Michael Williams: Studiosis
Reception: 6pm - 8pm
Through August 2, 2024
515 West 24th Street, New York
❌ ‘The Secret History,’ Organized by Alissa Bennett
Reception: 5pm - 7pm
Through August 2, 2024
130 East 64th Street, New York
❌ Joeun Kim Aatchim: ‘Minimally Invasive (최소침습)
Through August 3, 2024
760, Samseong-ro, Gangnam-gu, Seoul
Michael Williams, “Interior Portrait,” detail, 2024, Acrylic on canvas; Matt Hilvers, “Box Logo, 2024, ”Cable and box knit Scottish wool, type-o negative blood, artery and veins diagram; Joeun Kim Aatchim, ”Next Time,“ detail, 2024, Watercolor & pastel pencil, walnut ink, genuine white gold leaf on silk.
@aatchim@arnoldfriend6#MichaelWilliams#Studiosis#AlissaBennett#TheSecretHistory#JoeunKimAatchim#MinimallyInvasive#Gladstone#아침김조은#최소침습#글래드스톤갤러리#글래드스톤서울
Dear Friends,
It is with great sadness that we share with you that Barbara passed away yesterday in Paris after a brief illness. Barbara was a visionary leader who had an indelible impact on the artists she worked with, her colleagues at the gallery, her many friends, and the entire art world.
Barbara valued her relationships with artists above all else and remained their advocate up until the end. She championed artists who are breaking new ground with their work and stood with them as they developed their practices, noting that “you have to sense in someone’s work the possibility of longevity.”
With thanks for your support and love,
Max, Gavin, Caroline, and Paula
Photo: Andrea Spotorno
