This Saturday, June 8th, please join SITE SANTA FE (
@sitesantafe ) and Radius Books (
@radius.books ) as Christine Corday and art historian Alexander Nemerov discuss the enduring legacy of Helen Frankenthaler’s soak-stain technique and its continued influence on generations of artists across media.
The program continues at 2pm with "Composition: A Material Continuation," when Corday will present a multidisciplinary exploration of her work accompanied by live performances of "A Madrigal Opera" by Philip Glass.
For tickets and more information, please visit sitesantafe.org.
1) Frankenthaler working on "Untitled" (1991) in her studio, Saddle Rock Road, Shippan Point, Stamford, Conn., July 1991. Helen Frankenthaler Foundation Archives, New York. Photograph by Vincent Dion; Corday with full-scale model of “Knoun,” 2012, photographs courtesy of Corday Studio; Helen Frankenthaler working on "Rapunzel" (1974) in her East Eighty-third Street studio, New York, 1974. Helen Frankenthaler Foundation Archives, New York. Photograph by Edward Youkilis. Artwork © 2024 Helen Frankenthaler Foundation, New York / Artists Rights Society (ARS), New York; Corday working on “Perces [Polyptych],” 2015, photograph courtesy of Corday Studio.
2) At left, artist Christine Corday, courtesy Corday Studio. At right, Philip Glass
#HelenFrankenthaler #HelenFrankenthalerFoundation #SiteSantaFe #RadiusBooks