Jacqueline Sullivan Gallery

Please note, the gallery is closed Thursday 7/4 & Friday 7/5. We will resume normal hours Saturday 7/6 from 12 - 6 pm. This substantial and stately corner chair dates to the late 19th century, most likely originating in England or France. Made from solid oak and retaining its original patina, the chair exhibits almost cartoonish proportions of the popular bobbin furniture of the time. Bobbin furniture first gained popularity in Northern Europe in the 17th century, when mechanically lathe-turned wooden parts became a more organic alternative to historically rigid geometric structures. Not Attributed Oak Corner Chair, c 1890 Oak W 26 x D 26 x H 33 x SH 16 1/2 in 66 x 66 x 83.8 x 41.9 cm Photos by @mcmahon_photo

Grace Atkinson is a textile designer and artist from New Zealand, based in Paris, France. Atkinson’s work is a study of surface, texture, scale and its relation to architecture and sensation. Committed to the preservation of ancient craft techniques, Atkinson frequently collaborates closely with artisans to create pieces that embody her interest in the expressive potency of textiles and its resonance with sensuous experience. With an interest in the contextual nature of perception, these hybrid works modulate spaces, emphasizing a synergy between functionality and aesthetics. For ‘A Room is an Archive of Touch’ Atkinson crafted these two pillow works made of silk, black onyx, green onyx, pearls, feathers, polyester ribbon and cotton thread. These soft objects are expressions of philosophical comfort and physic embrace and reference dakimakura (daki = embrace, makura = pillow), large cushions found in Japan with the purpose of being slept with or gently held - a comfort object. Pictured: Grace Atkinson Dakimakura: Io, 2024 Silk, black onyx, green onyx, feathers, polyester ribbon, cotton thread W 17 1/2 x D 11 x H 5 in 44.5 x 27.9 x 12.7 cm Grace Atkinson Dakimakura: Lain, 2024 Silk, pearls, polyester filling, polyester ribbon, cotton thread W 22 1/2 x D 7 x H 5 in 57.2 x 17.8 x 12.7 cm For sales or general inquiries, kindly contact: onview@jacquelinesullivangallery.com Photos by @mcmahon_photo

Natalie Weinberger is a New York City born, Brooklyn based ceramicist working at the intersection of craft and design. Rooted in an affinity for ceramic materials and traditional production methods, she designs functional dinnerware, sculptural vessels & lighting, and unique surfaces for small furniture and interiors. Whilst Weinberger describes herself as a ceramicist, her curiosity for other materials leads her inquisitively down paths of the unknown - always approaching with the utmost precision and care. She continues to explore the scrupulous technique of kiln-formed cast glass, known as pâte de verre, a process she debuted in the gallery’s first collection. This new series of sconces includes experiments with colored glass, various metals, and displays more architectural shapes and patterns reminiscent of stone, bricks, and sculptures of antiquity. Pictured: Natalie Weinberger Glass Sconce 007 (Rose) Pair, 2024 Rose-tinted kiln cast glass, brass hardware with mottled patina, and electrical components Each: W 8 x D 2 3/8 x H 7 in 20.3 x 6 x 17.8 cm Natalie Weinberger Glass Sconce 010 (Charcoal), 2024 Kiln cast glass with charcoal hue; blackened steel hardware, and electrical components W 8 x D 2 1/2 x H 10 3/4 in 20.3 x 6.4 x 27.3 cm Natalie Weinberger Glass Sconce 009 (Gray), 2024 Gray tinted kiln cast glass; brushed aluminum hardware, and electrical components W 5 x D 2 3/4 x H 5 3/4 in 12.7 x 7 x 14.6 cm For sales or general inquiries, kindly contact: onview@jacquelinesullivangallery.com Photos by @mcmahon_photo

Between the late 1960s and early 1980s, the French architect and designer, Charlotte Perriand, with the Atelier d’Architecture en Montagne, designed Les Arcs, a ski resort in Savoie, France. The apartment accommodations feature flexible living arrangements, using the combination of new and old materials as well as technologies to create affordable and pleasant domestic spaces. Perriand’s Wall Cabinet was fabricated for the resort and is composed of blonde pine and a playful chartreuse laminate top. The wall-mounted cabinet is a spatially economical method of storage and is consistent with the designer’s dedication to ways of practical living. Charlotte Perriand Les Arcs Wall Cabinet, 1960-1980 Pine W 58 1/2 x D 21 x H 21 in 149 x 53 x 53 cm For sales or general inquiries, kindly contact: onview@jacquelinesullivangallery.com Photos by @mcmahon_photo

Conie Vallese is an Argentinian artist and designer. She works within a variety of mediums, including design, decorative objects in bronze, textiles, and ceramics. Vallese’s work often draws inspiration from her love of flowers and the intricate patterns found in nature. Exploring the themes of beauty, fragility, and resilience, her work reflects the delicate balance between strength, vulnerability and the natural world. Vallese’s Glass Vases are entirely singular and fabricated in New York City. The organic, aqueous vessels reflect the fluidity and alchemical properties of glassblowing, as well as the humanistic duality of delicacy and fortitude. Glass Vase 2 and 3 feature alabaster, transparent, and obsidian hued glass in the body and expressive flower component of the vessels. Crystallized lilies appear to sprout from the glass itself, captured in a permanent state of bloom. Conie Vallese Glass Vase 2, 2024 Blown glass Ø 6 1/2 x 14 1/2 in 16.5 x 36.8 cm Conie Vallese Glass Vase 3, 2024 Blown glass Ø 7 x H 13 1/2 in 17.8 x 34.3 cm For sales or general inquiries, kindly contact: onview@jacquelinesullivangallery.com Photos by @mcmahon_photo

This charming 20th century painted cupboard originates from rural Maine. Made of solid pine and hand painted in cream and teal hues, its visual vernacular is reminiscent of Swedish or Tyrolean wardrobes. Featuring delicate carved detailing and an applied decorative pattern, the cabinet most likely was used for storing linens. Not Attributed Folk Art Painted Cupboard, 20th century Pine, paint W 46 x D 15 1/4 x H 68 6/8 in 116.8 x 38.7 x 169.5 cm For sales or general inquiries, kindly contact: onview@jacquelinesullivangallery.com Photos by @mcmahon_photo

Jennefer Hoffmann (b.1971) is a ceramicist living and working in Chicago, Illinois. Hoffmann’s sculptural works are intimate, nuanced, and thought-provoking expressions of the artist’s personal interiority as well as shrewd demonstrations of her innate technical prowess. As “landscapes of memory”, the sculptures reflect the complex human desire to encapsulate a feeling into a tangible artifact – whether fleeting or one that lasts. Many of her vertical sculptural vessels begin with clay slabs which she then pinches into shapes using her hands. She has remarked that the process of pinching has become her primary language over the years. Pictured: Jennefer Hoffmann thing to do impossible things in, 2023 Stoneware and glaze W 9 1/2 x D 9 1/2 x H 22 in 24.1 x 24.1 x 55.9 cm Jennefer Hoffmann Flowers for my mother (2), 2024 Stoneware and glaze W 7 x D 7 x H 16 in 17.8 x 17.8 x 41 cm Jennefer Hoffmann thing to start to grow in another direction in, 2023 Porcelain and glaze W 6 1/2 x D 7 x H 20 in 16.5 x 17.8 x 50.8 cm For sales or general inquiries, kindly contact: onview@jacquelinesullivangallery.com Photos by @mcmahon_photo

A Room is an Archive of Touch With contemporary works by Grace Atkinson, Jennefer Hoffmann, and Natalie Weinberger is now on view through July 20. A heartfelt thank you to everyone who attended the opening. On view today and weekly, Wednesday through Saturday from 12pm-6pm at 52 Walker Street (4th floor, stair access only) in Tribeca. For sales or general inquiries, kindly contact: onview@jacquelinesullivangallery.com Photo by @william.jess.laird

Opening next week, Wednesday, June 5! 6-8pm A Room is an Archive of Touch With contemporary works by Grace Atkinson Jennefer Hoffmann Natalie Weinberger & a selection of historical furniture and objects Please RSVP to rsvp@jacquelinesullivangallery.com For other inquiries please contact onview@jacquelinesullivangallery.com Photo by @mcmahon_photo 52 Walker Street 4th Floor (stair access only) New York, NY 10013

Jordan McDonald is a Philadelphia based ceramicist whose practice ranges from functional pottery and wares to highly expressive sculptural vessels. For the gallery’s inaugural exhibition, Substance in a Cushion, he created a collection of tulipieres which he termed ‘flower bricks’ and ‘flower bud vases’ made with rich, highly saturated glazes. McDonald’s new series of six Ceramic Flower Bricks are substantial in scale, able to hold large clusters of flowers, and display more subdued creamy stone and ochre glazes. As before, their forms reference historical stoves and vases from the Metropolitan Museum of Art as well as bricks and tiles from American ceramic factories. McDonald’s slab-constructions and extruded ornamentation recall industrial modes of production, but the Ceramic Flower Brick is imprecisely unique. For sales or general inquiries, kindly contact: onview@jacquelinesullivangallery.com Photo by @william.jess.laird

This long, spindle-backed Deacon’s bench is a beautiful example of a 19th century liturgical piece of furniture. Though historically used in a church, this bench would make a wonderful addition to a contemporary home – the perfect seat for kids to take off their rain boots. Not Attributed Parsons Bench, c. 1900 Wood W 96 1/4 x D 14 x H 32 1/2 in 244.5 x 35.6 x 82.6 cm For sales or general inquiries, kindly contact: onview@jacquelinesullivangallery.com Photos by @sophiaaerts and @william.jess.laird

Valentina Cameranesi Sgroi’s ‘Modello III’ is composed of solid maple, beautifully ornate tassels using linen macrame, cotton rope, and “charms” made of borosilicate glass, as well faux pearls sourced from costume and prop shops collected throughout the years. Valentina Cameranesi Sgroi Modello III, 2023 Solid maple box, linen rope, borosilicate and fake pearl charms W 13 3/8 x D 13 3/8 x H 19 1/4 in 34 x 34 x 49 cm For sales or general inquiries, kindly contact: onview@jacquelinesullivangallery.com Photos by @sophiaaerts