Miles Greenberg

@miles.greenberg

⛲️ CURRENTLY ON VIEW : “Twenty Four Twenty Four” Miles Greenberg & Douglas Gordon at @albionjeune studio@milesgreenberg.com /dean.rodgers@img.com
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𝑺𝑬𝑩𝑨𝑺𝑻𝑰𝑨𝑵, 𝟐𝟎𝟐𝟒. Curated by Klaus Biesenbach and Lisa Botti on the occasion of the 60th Biennale Arte. 8 hour duration. Palazzo Malipiero, Venezia. Five arrows pierced through my skin as i stand on a stone from Lido, rotating at 1 RPM while being caressed by four robot-mounted cameras, capturing my body in slow motion in video and 3D scans. Sugar syrup drips from the ceiling, melting my makeup and accumulating, gradually impairing movement. After eight hours, my mother comes and removes the arrows from my body. In an adjacent room, a ‘stolen’ relic — a 3D printed scale replica of one of Andrea Brustolon’s most (in)famous blackamoor ebony carvings, 3D scanned and reproduced without permission from Ca’ Rezzonico museum, across the grand canal. Created, directed and performed by Miles Greenberg Co-starring Phoebe Greenberg Curated by @klausbiesenbach and @lisa_botti_ Presented by @neuenationalgalerie and @museumberggruen in partnership with Gallerie Dell’Accademia Produced and supported by @villaeugenie and @botanical_agency Custom garments and supported by @cerruti1881 by @daniel.kearns , styled by @julieragolia Original soundtrack by @personaljjesus Soundsystem and additional support from KEF (@kef.global ) Makeup by @hugo_villard Hair by @mariagracia.__ Piercing by @lagangrene Robotics engineered by @aatb_ch Arrows engineered by @chrishabana Studio management @yellfreeman Thanks to additional support from Slobodan Randjelović and Jon L. Stryker and the Thomas Rom Foundation. As ever, special thanks to @vidarlogi . THANK YOU TO EVERYONE. Images by Francesco Allegretto
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LATE OCTOBER, 2020 [ duration : approx. 7hrs ] « The Black body as infrastructure for the divine, the Black body as a vessel, the Black body as a generative and re-generative terrain, in Permanent Readiness for the Marvellous; the Black body as the liminal; the Black body as the cusp of the cup that runneth over – the threshold is a means of survival. » 𝕿𝖍𝖆𝖓𝕶 𝖄𝖔𝖚 from the bottom of my heart to everyone who participated in the creation of this piece. 🏺🕳⛓ Concept & direction by me Performed by : @pauladoory @edentintocollins @muteki_no_rena @iamsnakeninja @jamsy360 @flyestshot & myself Scenography & production : @botanical_agency Casting : @hybra Stage mgmt : @kindle_jenner MUA : @cecileparavina Curated by : @latotale.collective @leortajunior @i.perrault @simonsixou Presented at : @galleriacontinua Cinematography : @adrien_bertolle Image prod. : Thomas Duchene PR : @hannahgottliebgraham (Images : Adrien Bertolle & Rachel Halickman)
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3 vor Jahren
I made this year’s Forbes 30 Under 30 !! Thank you, thank you, thank you 🤍😳 Scroll for some very early performance works to commemorate.
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1 vor einem Jahr
BTS images from 𝙍𝙀𝙎𝙋𝘼𝙒𝙉 (2024), shot on 35mm by @jasperrischen . (9 hour duration, performed at the Art Gallery of Ontario) Created, directed and performed by @miles.greenberg With textual contributions by @jordan.tannahill Curated by @bojana_stancic Co-commissioned and co-presented by @agotoronto and @luminatofestival Production support from @direphi Robotics engineering and lighting by @quiver.tv Tattoo consultation by @phantomshore_tattoo Combat training by @nycstagecombat Studio management by @yellfreeman 🗡️🦾🫀
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1 vor einem Tag
Was Miles Greenberg a “cool teen”? Tune to find out, plus exclusive ASMR sword unboxing footage. Miles Greenberg (@miles.greenberg ), one of the issue 49 cover stars, gears up for his latest performance, RESPAWN, at the Art Gallery of Ontario (@agotoronto ). Join Jordan Coley (@ejordan.web , host of the Jordan Show (@jordan_______show ), as they step into Greenberg’s studio for a quick duel… Directed by Sam Leviton (@samleviton ) Produced by Gwyneth Giller (@gwyn3333th )
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9 vor Tagen
In conversation: Miles Greenberg & Hans Ulrich Obrist for the opening of “𝘛𝘸𝘦𝘯𝘵𝘺 𝘍𝘰𝘶𝘳 𝘛𝘸𝘦𝘯𝘵𝘺 𝘍𝘰𝘶𝘳,” works by Miles Greenberg & Douglas Gordon at Albion Jeune.
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14 vor Tagen
For @miles.greenberg ’s latest work, Respawn, he wrestles and stabs versions of himself in front of a live audience for nine hours straight. He sat down with @tomjoepower to shed light on the piece and his journey in art. Listen to the full interview on Spotify, Apple Podcasts, or wherever you listen to podcasts. 🎧Link in bio. Images courtesy of the artist, Museum Berggruen, Neue Nationalgalerie and Sky Arts.
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15 vor Tagen
“I’m actually the reason that there’s now a rule at the Louvre that you’re not allowed to stab yourself.” Canadian artist @miles.greenberg says flesh is his medium and he’s no stranger to pushing his body to the extreme for his art, whether it be standing on a plinth dripping in fake blood, embracing a stranger while naked and blind, and walking on a conveyor belt all day. Images courtesy of the artist. Listen to the full interview on Spotify, Apple Podcasts, or wherever you listen to podcasts. 🎧Link in bio.
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15 vor Tagen
𝙍𝙀𝙎𝙋𝘼𝙒𝙉, 2024 (9 hour duration) Created, directed and performed by @miles.greenberg With textual contributions by @jordan.tannahill Curated by @bojana_stancic Co-commissioned and co-presented by @agotoronto and @luminatofestival Production support from @direphi Original soundtrack by @miles.greenberg Robotics engineering and lighting by @quiver.tv Tattoo consultation by @phantomshore_tattoo Combat training by @nycstagecombat Studio management by @yellfreeman ⚔️🦾🩶 I’m SO grateful to everyone who made this behemoth of a piece happen — the trust and support all parties invested in me for this show was unparalleled. A huge thank you to everyone who attended ! It feels so sweet to come home to Canada.
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27 vor Tagen
COVER BOY FOR @officemagazinenyc in full @loewe by @jonathan.anderson 👼🏾📎💼🤍 Photography @cliffordprinceking Styling @designer.jargon Interview @samuelgd Talent @miles.greenberg Hair @mariagracia.__ Makeup @allinonebeauti Photo Assistant @arinzeiwudyke Fashion Assistants @charles.barbary @dawnsretrospective Production Assistant @xsarahersom Location @laobra.nyc Editor-in-Chief @simonrasmussen Creative Director @jesperdlund Associate Creative Director @mitchism Managing Editor @sahirahmei Creative Producer @livthelurk Associate Creative Producer @livsolomon Design Direction/Art Direction @w_e_studio @claudineeriksson @pierawolf Graphic Design @w_e_studio @hannahmfn
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1 vor einem Monat
Choose your fighter ♾️🦑🕳️🖤💪🏾🤺🗡️ Elephant Magazine cover story by @vidarlogi set design : @andrewlimclarkson mua : @alicedoddsmakeup hair (alllllll 8 metres of it🙂‍↕️) : @taibataiba production : @ziggy_le_vin @directors_lab words : @osmancanyerebakan Thank you, @elephantmagazine @tschabalalaself ❣️
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2 vor Monaten
“I’ve always been interested in the physical sensations in the body that last a very short time, that our bodies only allow us to feel for 30 seconds, maybe 10 minutes: a panic attack, ecstasy, very, very intense pain... There’s a certain poetry beyond extreme pain or pleasure and I try to create works that, in my aesthetic and sensual world, somehow manage functionally to cross this barrier where I feel there’s something the body doesn’t want us to know.”   In this new video interview, Miles Greenberg guides us through his process, with curator Olivia Anani. The solo exhibition TRUTH is on view until May 16th at Galerie Mitterrand.    Video by @hellophantomprod  © Galerie Mitterrand #GalerieMitterrand #MilesGreenberg #OliviaAnani #TRUTH  #ParisGalleryMap
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