Richard Valitutto

@pianotutto

📍berlin 🎹 pianist/keyboardist dog: @einkleinesdingo band: @wildup ⬇️🎹PIANO 2 is OUT NOW🎹⬇️
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upcoming performances for Spring and Summer!! [updated] 🎹 Berlin, Venray (Düsseldorf), Munich, Los Angeles, Ruhr 🎹 ➡️ links in Bio ⬅️ 2024 spring/summer dates BERLIN May 8 — @km28berlin performing Julius Eastman “Piano 2”, @Linda Catlin Smith “nocturnes & chorales”, also Mompou, Finnissy, Chopin, Poulenc, Respighi VENRAY May 25 — arias and songs with @thecastmusic MUNICH (@muenchenerbiennale ) June 1-4 — schwere reiter “shall i build a dam” by @jamai_kai and @aughterlonysimone with @knmberlin , @deutscheoperberlin , Münchener Biennale @hanusasebastian @lenna.stam LOS ANGELES June 14-23 — Geffen Contemporary at @moca “The Comet/Poppea” with @industryopera & @runningamoc OBERHAUSEN (@ruhrtriennale ) August 29-31 — @turbinenhalle_offiziell “Erased Music: Julius Eastman” with @wildup @orionrountree @adamtendler
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Now out on @newamrecords ! Julius Eastman Vol. 4: The Holy Presence We are so excited to share with you the latest installation in our GRAMMYⓇ–nominated Julius Eastman Anthology, featuring @sethparkerwoods , Davóne Tines (@alsoanoperasinger ), and Richard Valitutto (@pianotutto ) 🎶 Tracks 1. Our Father Davóne Tines, voice Wild Up Arranged by Christopher Rountree and Davóne Tines 2. Piano 2 richard valitutto, piano 3. Prelude to The Holy Presence of Joan d’Arc Davóne Tines, voice 4. The Holy Presence of Joan d’Arc Seth Parker Woods, cello Transcribed by Clarice Jensen
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Eastman Sound bite 2, with Richard Valitutto (@pianotutto ) on the keys! 🎹🎹🎹
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reflecting today on “shall i build a dam?”, which ran from 1-4. June @muenchenerbiennale @schwerereiter this project was completely demanding and extra rewarding for me as a collaborator and performer in every respect: musically and dramatically, physically and mentally. we sang, spoke, played, moved, and danced throughout an 80-minute work that was a multi-sensory experience, running the gamut from vulgar to serene, from profound to light-hearted. i’ve rarely felt so fulfilled as a performer to bring my full set of skills to bear. (this was most clearly demonstrated by the many audience members who asked me afterwards if i was primarily a dancer, or an actor, or “just” a musician. what a compliment!) i had an absolute blast working, living with, and developing this new work for this premiere with an amazing team of collaborators and colleagues: composer @jamai_kai and the production powerhouses @aughterlonysimone and @wegmannjs , the amazing singers @chiara_bellchen @noa.frenkel and members of @knmberlin and @annetteriessner (my fellow guest instrumentalist), and support and management by so many lovelies @deutscheoperberlin @hanusasebastian @elli.neubert @asliersuzer et al et al! very excited to be in the audience @deutscheoperberlin Tischlerei space at the end of the month to watch the work live on as the amazing @justineeckhaut reclaims her piano position with the group. (most of these photos taken by el zorro de mis sueños @celestialcondemned , who was such a wonderful support and friend to me for the opening night)
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Posted @withregram@muenchenerbiennale Die Choreograph*in @aughterlonysimone und die Komponistin @jamai_kai beschäftigen sich mit Transformationsprozessen. Wasser ist dabei als vordergründige Substanz auf der Bühne omnipräsent. Aber: dahinter stecken menschliche Transformationsprozesse. Wachstum, Körper, Gender. Ihr choreographisches Musiktheater verfolgt den Weg des Wassers durch die Gesellschaft und seine verschiedenen Gestalten. Und immer da, wo viele fälschlicherweise annehmen, es gäbe nur A und B, öffnen sie den Raum für das Dazwischen. 🗓️ 1.6., 18 Uhr | 2.6., 3.6., 4.6., 20 Uhr 🕠 Aufführungsdauer: ca. 70 Minuten 📌 schwere reiter @schwerereiter ⁉️ Einführung: 2.6., 19:15 Uhr Koproduktion mit der @deutscheoperberlin #shallibuildadam #kaikobayashi #simoneaughterlony #biennale24 #ontheway @knmberlin @noa.frenkel
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1 vor einem Monat
🎹 link in bio 🎹 Berlin! @km28berlin no tickets, no reservations (suggested donation at door) May 8 Wednesday doors 20:00 / music 20:30 richard valitutto, solo piano, plays Julius Eastman’s Piano 2 (the only surviving fully-intact composition for solo instrument by the late queer black American composer); Linda Catlin Smith’s half-hour cycle nocturnes and chorales; and shorter works by Federico Mompou, Michael Finnissy, and Frederic Chopin.
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repost @withregram@wildup We are thrilled to announce the fourth volume of our Julius Eastman series, The Holy Presence, out on New Amsterdam (@newamrecords ) on June 21. Listen to the single Our Father on all streaming platforms today, featuring vocals by Davóne Tines (@alsoanoperasinger ). Click the link in bio to pre-order The Holy Presence. Poet and artist Harmony Holiday writes of the album: “This music embraces and leaves you with no choice but awe, an almost numb or dejected splendor for how high it takes you and how long you must dangle there with no parachute—true splendor, a truce between the secular and the divine. The sacred lets us move past cults of celebrity and personality in music, this is why we have no choice but to return to it whenever we seek to return to ourselves. This album is a prolonged miraculous encounter with nature’s rite of return.” Davóne Tines, voice richard valitutto (@pianotutto ), piano Seth Parker Woods (@sethparkerwoods ), cello Andrew McIntosh (@septimalcomma ), viola Mona Tian (@urbanmona ), viola Linnea Powell (@powelllinnea ), viola Diana Wade (@violanerd ), viola Derek Stein (@dereksteincello ), cello Hillary Smith (@hillarysmith ), cello Christopher Ahn (@chrisahncell ), cello Niall Taro Ferguson (@niallfest ), cello Seth Parker Woods, cello Stephen Pfeifer (@basspfeifer ), bass Marlon Martinez (@marloniusmusic ), bass Christopher Rountree (@orionrountree ), conductor / artistic director Produced, recorded, and mixed by Lewis Pesacov (@lewis_pesacov ) with additional production by Christopher Rountree Engineered by Lewis Pesacov and Clint Welander (@klintbeastwood ) Additional mixing on Prelude to the Holy Presence of Joan d’Arc by Clint Welander Recorded at East West Studios, Infinitespin Studio, and Sunset Sound Mixed at Ahata Sound Mastered by Reuben Cohen @reuben_cohen111 ) at Lurssen Mastering, Los Angeles, CA Designer: Andrea Hyde (@andrea._.hyde ) Cover Photo: Christine Rusiniak Session Photos: Glen Hahn (@glenjamn ) and Sam Lee  (@samanthaiasian ) Live Photo: Joe Sinnott Liner Notes: Harmony Holiday (@harmony_holiday ) Executive Producer: Elizabeth Cline (@elizcline ) Production Associate: Glenna Adkins (@glenna_adkins )
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gestern Abend war bizarr schön
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new portraits (3/3) 🤍🩶🖤🩶🤍 by @josephafwarren
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new portraits (2/3) by the wonderful @josephafwarren
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new portraits (part 1/3) by the wonderful @josephafwarren
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