The Panza Collection, Villa Panza, Varese, Northern Italy.
#GiuseppePanzadiBiumo was “The man who bought a score of Rauschenbergs, on the slender evidence of a few photos, when no one in Europe had yet understood them” and this “when” means 1962. The collection would quickly become an international reference: Morris, Flavin, Rothko, a thermometer of the contemporary and later a monument of a history still in progress. (…) In the Panza di Biumo collection, works are always displayed in groups, every artist being represented by a constellation of his paintings, and the work of each one carefully differentiated from the rest. Morris and Flavin, the latest acquisitions, now belong to the history of this collection. (…) Previously Count Panza had hinged his collection (begun in the middle 1950s) on two big names: Franz Kline and Mark Rothko. These artists were only just being discovered in Europe when in ‘56 Count Panza bought his first Kline paintings, dated round about that time, and later the big Rothko canvasses, covering ‘54 to ‘58. (…) A journey to the United States in ‘62 enabled Count Panza to make the acquaintance of Leo Castelli and the artists of his gallery (…) This collection is private only in that it represents the unflagging passion and enthusiasm of one man. A profound artistic culture and a painstaking examination of what is happening day by day in the maelstrom of the international art world are not enough for him, and furthermore works of recognized and established merit do not interest him. (…) He has been known to listen to suggestions, from Pierre Restany or John Cage, and he has also made a few mistakes. Each of his famous paintings belongs to a private diary of emotions and perceptions continually renewed. Excerpts from Domus magazine, Tommaso Trini, October 2023. 1,2,3,4)
#DanFlavin’s Ursula (1964) above the door and a series of
#FranzKline on display at Villa Panza, (1-2) by
#UgoMulas , 1967; (3-4) by Gian Sinigaglia, 1970. 5) Giuseppe and Giovanna Panza di Biumo in their apartment, Milan, 1971; works by Franz Kline. 6,7)
#MarcRothko at Villa Panza, late 1960s. 8,9,10) Dan Flavin’s fluorescent compositions on display at the Villa, 1968.