SEBEAU

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Seb
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#ElsworthKelly from 1950s to 1970s 1) “Ellsworth Kelly” exhibition at Betty Parsons Gallery, New York in 1956. Photograph courtesy of Sante Forlano. Standing with Red Yellow White Black Blue, 1955 and Black Curves, 1954. 2,3,4) “Ellsworth Kelly, paintings 1951-1956” at Betty Parsons Gallery, New York, 1956, Sante Forlano, 2: Ellsworth Kelly, “Black Curves,” 1954, 3: Study for “Black Curves,” 1955. 5) 1955 with first three paintings done in New York City at Broad Street studio. 6) Ellsworth on Broad Street in New York City with his latest works: “Red Curves” and “Marblehead,” both 1955. 7,8) Ellsworth in his Broad Street studio in New York City in 1955 with “Colors for a Large Wall” (1951). 8,9) Ellsworth and his beloved dog - named Orange, and the recently completed sculpture “Blue Red.” 1968. 10) Ellsworth doing some heavy lifting in his Chatham, New York, studio in 1973, while working on “Yellow with Red Triangle” and “Blue with Black Triangle.” All photos courtesy of @ellsworthkellystudio #art #artist #artiststudio #atelier #modernart #abstractart #contemporaryart #postwarmodern #midcenturymodern #artcollection #artcollector #collection #painting #interiorart #artlovers #artist
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#ElisabethBadinter and #RobertBadinter photographed in their Parisian apartment, Saint-Germain-des-Prés… une certaine idée de la France. 1) Élisabeth next to “Le Petit Bateau” 1954 by #NicholasdeStael . 2) Robert Badinter sitting at his desk designed by #DiegoGiacometti . 3,4) a sculpture by #NikideSaintPhalle in the living room. 5) Badinter standing in his studio room; behind him a Diego Giacometti’s “Berceau” low table; on the wall hangs a #JacquesMonory painting from late 1960s and on the left an original copy of the historical “J’accuse!” written by #EmileZola published by L’Aurore (Paris 13 Janvier 1898) 6) a Jacques Monory painting 8) Élisabeth Badinter in her living room with an #IsamuNoguchi lower table. #art #interiorart #artcollection #painting #sculpture #design #Interiordecor #decor #collection #collector #french #France #style #iconic #mafrance
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#HenriLaurens’a bronze sculpture The Awakening next to Two Studies of the Human Body, 1975, by #FrancisBacon in the home of Ulla and Heiner Pietzsch, Berlin, Germany. 2) Laurens’ L’Espagnole, 1937-39 next to #NicholasdeStael’s Composition, 1951 in the apartment of David M. Solinger, New York. #art #artist #painting #sculpture #modernart #abstractart #interiorart #display #interiordecor #decor #artlovers #interiorlovers #artcollector #collection #collector #interiorphotography
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Back to May 2010 at Christie’s for the sale of the collection of Mrs. Sidney F. Brody. Here’s a selection of images of Sidney and Frances Brody’s home in Holmby Hills, California. The home is an iconic place, already famous for #HenriMatisse’s ceramic wall work La Gerbe, commissioned by the couple to the artist in 1953 for the patio of their 1949 #ArchibaldQuincyJones designed home. Sidney Brody was a LACMA board chair, and the Brody’s were major modern art collectors. 1,2) #PabloPicasso’s “Nu au Plateau de Sculpteur, 1932, and #AlbertoGiacometti’s “Grande tête mince,” 1955. 3) #Matisse’s Nu au coussin bleu, 1924 in the reading room. 4) Sitting on a console table La Masseuse, bronze sculpture by #EdgarDegas (original wax model created in ca 1895) on the floor (right) an important vase by #AndreDerain titled Baigneuses dans un paysage. 5) on the wall hangs La Treille by #GeorgesBraque ; on the console sits a ballerina by Degas. 7) Portrait of Beverly Hills investor Sidney Brody (right) and his wife, Frances, as they pose together in their home, 1966. On the wall behind them is the large ceramic piece by Matisse ‘La Gerbe’ (The Sheaf) (1953). It was commissioned by the Brodys and weighed around 2000 pounds; Mrs Brody’s will left the work to the Los Angeles County Museum of Art @lacma where it was moved in 2010. Photo by Ralph Crane. 8) a photo from the early 60s portraying the Brody’s in their patio alongside Matisse, on the lower table a sculpture by #JeanArp and on the foreground an #HenryMoore . Todd Eberle pointed out that “The then-new invention of California’s indoor/outdoor must have been behind the inspired decision to have La Gerbe, the giant Matisse cutout painting from 1953, live outside on the lanai, above the white sofa’s drab gray and washed-out red pillows, which are set at diamond-like angles, all echt-modern-like.” (What Modern Was: A Manifesto by Mrs. Sidney F. Brody, by Todd Eberle, Vanity Fair, April 2010) #artcollection #artcollcollector #modernart #art #painting #sculpture #Giacometti #Picasso #architecture #design #interior #interiorart #interiorlovers #artlovers #decor #display #LosAngeles 1) @art_collectors_at_home
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Portrait de Marguerite by #HenriMatisse , 1906-07. Hôtel Salé, Musée Picasso, Paris. Matisse traded this painting of his daughter with #PabloPicasso for one of Picasso’s works. The piece remained in Picasso’s personal collection for years and it was donated to the museum in 1978. Matisse painted more portraits of his daughter than of all the other members of his family combined. Marguerite Emilienne Matisse (1894–1982) was the artist’s eldest child, the daughter of his girlfriend and model, Camille Joblaud. Plagued with ill health, Marguerite was only six years old when she developed acute breathing problems that necessitated an emergency tracheotomy. In the 1920s she married art critic Georges Duthuit and essentially ended her creative collaboration with her father. Then, during World War II, Marguerite worked for the French resistance and was eventually arrested by the Gestapo. After being imprisoned and tortured, she was deported to a concentration camp but escaped en route. Marguerite survived to the age of 87; she was in the process of completing an extensive catalgoue of Matisse’s art just before she died. In 2014 The Baltimore Museum of Art presented a special exhibition of prints, drawings, paintings, and sculptures that provide a fascinating glimpse of Henri Matisse’s relationship with his only daughter (Matisse’s Marguerite: Model Daughter, February 2014) “Matisse approached these portraits of Marguerite with an intimacy that’s not necessarily seen in his other works,” said Jay Fisher, BMA Deputy Director for Curatorial Affairs. “Most of his models were often shown preoccupied, looking off into a different direction away from the viewer. They aren’t as much the subject of the painting as they are in service to other artistic ideas. Matisse was much more direct and sensitive to Marguerite’s features and character.” 2,3) the painting hanging at #Picasso’s Château of Vauvenargues near Aix-en-Provence (Southern France) home of Picasso and wife Jacqueline. 4,5,6) Marguerite posing for #ManRay (1925) when she was 31 years old. #art #artist #painting #portrait #modernart #interiorart #interior #artiststudio #chateau #decor #artcollection
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Snapshots from Picasso’s Château de Vauvenargues, Provence, Southern France. 1) the bedroom with works by #Picasso including a portrait of Jacqueline (right) and a red rug on the floor. 2,3) Picasso standing next to #HenriMatisse portrait of daughter Marguerite and a chair painted by him. 4) the bathroom painted by Picasso 5,6) Picasso painting in the castle and with Jacqueline. 7) Picasso’s Cat bronze sculpture sitting on the floor of the castle. 8) Picasso posing in the grand salon of Château de Vauvenargues with one of his painted chairs. (Photo 1 thanks to @yonehala.official4100 ) #Picasso #PabloPicasso #chateau #castle #art #modernart #interiorart #collection #artcollection #sculpture #painting #artiststudio #artisthome #atelier #interiorphotography #interiorlovers #artlovers #southoffrance #1960s
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The dining room of Raymond and Patsy Nasher in their Dallas house designed by one of #FrankLloydWright disciple, architect #HowardMeyer . 1) on the table sits The Kiss (Le Baiser), 1907-1908 by #ConstantinBrancusi . On the left a sculpture by #PabloPicasso , Pregnant Woman (La femme enceinte) 1950-1959. In the garden stands #AugusteRodin’s Monument to Honoré de Balzac, 1891-1898. 2) Nasher poses next to Picasso’s Head of a Woman (Tête de femme) 1931 and a painting by #MorrisLouis , Aleph, 1960. Raymond and wife Patsy began collecting sculpture in the 1950s. 3) Nasher poses next to The Age of Bronze (L’Äge d’airain) by Rodin; right, two bronze standing figures by #AlbertoGiacometti . 4,5) in the living room, from left to right a display of sculptures by #HenriMatisse , including Reclining Nude I (Aurora) 1907, Decorative Figure, 1908 and Seated Nude, 1922-29. On the left, a painting by Picasso, Nude Man and Woman, 1971 and Gaudier-Brzeska's monumental bust of Ezra Pound; #JeanArp’s Torso with Buds (Nu aux bourgeons), 1961. 6-10) In 1997, Nasher acquired a plot of land in downtown Dallas and hired architect #RenzoPiano to design the Nasher Sculpture Center. The Nasher Foundation funded the entire $70 million cost of designing and constructing the museum, which includes indoor and outdoor galleries. 9) #Giacometti , #CyTwombly , #DonaldJudd , #IsamuNoguchi , #MaxErnst reunited in 2017 for one of the special exhibition curated by artists or Nasher curators, like the one by artist Tom Sachs in 2017. #artcollection #artcollector #collection #collector #modernart #sculpture #painting #art #interiorart #interior #interiordecor #museum #villa #artlovers #interiorlovers
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The Panza Collection, Villa Panza, Varese, Northern Italy. #GiuseppePanzadiBiumo was “The man who bought a score of Rauschenbergs, on the slender evidence of a few photos, when no one in Europe had yet understood them” and this “when” means 1962. The collection would quickly become an international reference: Morris, Flavin, Rothko, a thermometer of the contemporary and later a monument of a history still in progress. (…) In the Panza di Biumo collection, works are always displayed in groups, every artist being represented by a constellation of his paintings, and the work of each one carefully differentiated from the rest. Morris and Flavin, the latest acquisitions, now belong to the history of this collection. (…) Previously Count Panza had hinged his collection (begun in the middle 1950s) on two big names: Franz Kline and Mark Rothko. These artists were only just being discovered in Europe when in ‘56 Count Panza bought his first Kline paintings, dated round about that time, and later the big Rothko canvasses, covering ‘54 to ‘58. (…) A journey to the United States in ‘62 enabled Count Panza to make the acquaintance of Leo Castelli and the artists of his gallery (…) This collection is private only in that it represents the unflagging passion and enthusiasm of one man. A profound artistic culture and a painstaking examination of what is happening day by day in the maelstrom of the international art world are not enough for him, and furthermore works of recognized and established merit do not interest him. (…) He has been known to listen to suggestions, from Pierre Restany or John Cage, and he has also made a few mistakes. Each of his famous paintings belongs to a private diary of emotions and perceptions continually renewed. Excerpts from Domus magazine, Tommaso Trini, October 2023. 1,2,3,4) #DanFlavin’s Ursula (1964) above the door and a series of #FranzKline on display at Villa Panza, (1-2) by #UgoMulas , 1967; (3-4) by Gian Sinigaglia, 1970. 5) Giuseppe and Giovanna Panza di Biumo in their apartment, Milan, 1971; works by Franz Kline. 6,7) #MarcRothko at Villa Panza, late 1960s. 8,9,10) Dan Flavin’s fluorescent compositions on display at the Villa, 1968.
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The Jay Spectre House, in Sag Harbor, Southampton, NY. Interior design by #JaySpectre dated 1973. Featured in AD, March 1975. In the living area a work by #JeanDubuffet (1) and a large wall sculpture by #LouiseNevelson above the sofa (3,4) a #MariaPergay’ stainless steel lounge chair, ca 1970 (2) Photography by Jaime Ardiles-Arce @archdigest 1975
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