Fred Mungo

@fredmungo

Deadpan Italian / Milan, London Photography /visual art @futuresphotography artist 2023 On&off resident at @issp_latvia
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Marie Claire Bistrot 03/12/2023 🖤 Also the cutest bob is by @diegosaullisalon and my lovely jumpsuit is from @oceano_blu_intimo_e_non_solo , both local to my tiny hometown.
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6 mesi fa
My portraits of Daria Bonfietti at Museo della Memoria di Ustica (BO) for @m_magazine . Thank you Lucy Monticello and Le Monde Mag.
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8 mesi fa
Some posted and extras from the pictures l shot last week for @id_italy capturing @robotfestival . I followed lovely @sadtramezzinx around the party for her live report and had lots of fun regardless my poor clubbing expertise. You all look very good on the dancefloor 👽🪩
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1 anno fa
"Qualcosa di gelosamente mio" è una indagine sul paesaggio italiano che io e @cst.tsc abbiamo concepito e iniziato a sviluppare la scorsa estate. Presto fuori x / "Something Jealously Mine" is a investigation into the Italian landscape that @cst.tsc and I conceived and began to develop last summer. Soon out x . . . . . . #landscape #italianlandscape #femaleartist #femaleartistduo #italianlandscape #interiorlandscape #documentaryphotography
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Good Boys, 2023 Il progetto “Good Boys” nasce nel Dicembre 2020 e si propone di investigare come il rapporto uman@-cane (in particolare, concentrandosi su animali adottati da rifugi e canili) possa essere spunto di riflessione su temi quali salute mentale, solitudine, identità, famiglia e senso di appartenenza. Lo fa attraverso immagini ironiche e emotive che raccontano la vita durante e dopo il canile, mostrando storie di coraggio e resistenza. Il titolo si riferisce all’espressione con cui, in inglese, spesso ci si rivolge ai propri cuccioli - Who’s a good boy? You are.
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From "Sudno", Riga 2023
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23 giorni fa
Table For One, 2019 “Table for One” is a visual exploration of the practice of eating alone, and how it relates to issues such as home-making, adaptation, and isolation. The images are produced through a process of research which involved both academical investigation and a series of interviews led on subjects aged 20-35 years based in Europe. Taking as a starting point the idea that: “Photographs of food -much like food itself- can invoke deep-seated questions and anxieties about issues such as consumption, aspiration, tradition, gender, race, desire, wealth, poverty, pleasure, revulsion and domesticity” (S. Bright, 2017), this body of work examines the relationship between food, society, and individualism.
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As I fill my new Milanese flat with plants and greens of all sorts I can't help but shred a little tear thinking at when I was trying to grow hanging orchids in my bathtub back in London. Bless my rising-Capricorn head..
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