Introducing the single-axis Hi‑5 SX hand unit, joining the three-axis Hi‑5 at the forefront of wireless camera and lens control technology.
Ready to perform a variety of single-axis tasks on set, the Hi‑5 SX is the perfect tool for DITs and DPs who need an ergonomic and feature-rich hand unit for precise iris pulls. It’s also a great entry-point into the Hi-5 ecosystem for 1st ACs purchasing their first professional-level focus-pulling tool, with a clear upgrade path to the full functionality of the flagship Hi-5.
Weather-proof and exceptionally hard-wearing, it brings ARRI dependability to the control of almost any lens on any camera, at an attractive price point.
For more information, please visit arri.com/hi-5sx at link in bio!
Orders open July 1, shipping October 1.
#ARRI#Hi5SX#ARRIECS
Introducing the ALEXA 35 Live - Multicam System.
Elevate your next live production with the cinematic 4K ARRI Look, unrivalled HDR, and a new level of creative control thanks to the brand new ALEXA 35 Live - Multicam System. The system combines the ALEXA 35 Live camera, the Live Production System LPS-1, comprising a Fiber Camera Adapter and Fiber Base Station, the Skaarhoj RCP, and a slew of bespoke accessories.
More information at link in bio.
#ARRI#ALEXA35Live#ARRILiveEntertainment#liveproduction#liveentertainement#multicam#broadcast#smpte2110
Same but different! ARRI upgrades its LED Fresnels to the new L-Series Plus.
ARRI's L-Series Plus LED spotlights feature true Fresnel characteristics: continuous focusability from spot to flood; a uniform, homogeneous light field; and up to 90% more light output compared to their predecessors in an upgraded version. The L-Series Plus benefits from the latest, highly efficient LED technology and allows complete color and intensity control of the light.
Their build quality and flexibility make them suitable for a wide range of use cases, from continuous studio lighting and location work on movies and television to live entertainment, photography, theater, and corporate productions.
💡 Explore the upgrade at the link in bio!
#ARRI#ARRILSeriesPlus#ARRIL5CPlus#ARRIL7CPlus#ARRILSeries#ARRILighting#LEDLighting#ProfessionalLighting
No project is too big for Los Angeles based key grip Carlos Boiles (@cscgrip ) and his crew. 🛠️ They build the most impressive rigs to light up any room with ARRI SkyPanels and keep everyone working in it safe. 💡 Although Carlos has been doing this job for many years, he is still impressed by the daily challenges. Here's what he has to say:
“From the softest of soft boxes, to bold bright shafts of hard light, and everything in-between ... My Gaffers and D.P.’s have given me the opportunity to work with these great tools and great producers have given me the resources to bring their ideas to life. It’s my job to make these builds happen smoothly and efficiently. With the best equipment, planning, logistics, and the best rigging crews in the world we find the safest way possible to work in often times challenging locations, on ever-tightening schedules. I’m often humbled by the dedication and work ethic of my crew! We are fortunate to have the opportunity to achieve these projects with a good balance of knowledge, skill, experience, and superb tools such as the ARRI SkyPanels!” ✨
#ARRI#ARRILighting#SkyPanel#gaffer#gafferlife#doplife#dplife#lightingequipment#professionallighting#ledlighting#gafferlighting#gripandlighting
Dive into the world of Virtual Production Color Management with our ARRI Certified User Training and join us in London on August 7th! Book until July 7th and get an early bird discount!
Here is what to expect:
🔍 Explore all aspects of Virtual Production Colour Management: Delve deep into colour management, colour science and their practical applications in virtual production environments. 🛠️ Hands-On Workshops: Get hands on with the colour management LED calibration process, as well as implementing it into Unreal Engine.
👩🏫 Who should attend: Whether you're an industry professional, familiar with shooting in LED stages but want to gain a deeper understanding of colour, or you're a student and want level up your skillset, this course will teach you the fundamentals of Virtual Production Colour Management
📚 The training will consist of a theory component followed up by a practical session, where attendees will get hands on with the colour management LED calibration process, as well as implementing it into Unreal Engine.
Click link in bio and register now for the course!
#ARRI#ARRIAcademy
SUP 1.3 for ALEXA 35 is here! Featuring a new 3.8K 16:9 recording format, new monitoring options including playback support for headphones with the AEM-1, more lens user buttons, WiFi improvements, metadata improvements and more.
You can find all the details at arri.com/sups
Lee Miller’s images are among the most important photographic works of the 20th century. The story of how she reported from World War II and changed war photography is retold in “Lee.” Director @realellenkuras ASC collaborated with cinematographer @pawel_edelman PSC to tell the story of this extraordinary woman. Shot on the ALEXA 35 from ARRI Rental.
“Lee” is screening this week as part of the 41st @FilmFestMunich .
#ARRIRental#ARRI#FFMUC#ALEXA35
Curious about comedy filmmaking? Discover how ARRI technology helps to deliver the punchline in some of our latest user stories! 🎬
Read now to find out why ALEXA Mini LF is the tool of choice for French cinematographer Stéphane Le Parc (@stephaneleparc ) for all his recent comedy films. Get insights from DP Nicolas Gaurin AFC (@nicolas_gaurin ) as he discusses his transition to comedy with "Mr. Putifar's Wacky Plan" and "UFOs," using ALEXA Mini LF and ARRI Signature Primes to remain flexible and adaptive to the actors' performances. And take a look behind the scenes as DP Vincent Richard AFC, aka "Marquis," works with Philippe Lacheau and Tarek Boudali, using ALEXA 35 for its reliability and quality.
Discover more about these cinematographers and their projects at link in bio!
#ARRI#capturedwithARRI#ALEXAMiniLF#ALEXA35#ARRISignaturePrimes#cinematography#behindthescenes#doplife
Tech Talk Time 💡
Discover everything you need to know about the Operational Modes of the SkyPanel X, including the "Standard" mode, the ultra-bright "High Output" mode, and the color-rich "High CRI Vari Fan" mode. Plus, learn how to optimize color quality with the "ARRI ALEXA Modes" for seamless integration with your ALEXA camera setup. Watch the full video at link in bio!
👏 Congratulations to the entire crew of „Two to One“ (“Zwei zu Eins”)! Director Natja Brunckhorst’s comedy feature film will celebrate its world premiere opening the 41st @filmfestmunich tonight. Cinematographer Martin Langer shot “Two to One” with the ALEXA Mini LF, along with ARRI M-Series lighting and Fresnel spotlights 🎥 💡 The cast includes Sandra Hüller, @maxriemelt , and @ronaldzehrfeld .
“When I switched from analog to digital, I was immediately impressed by the unique quality of ALEXA cameras. Despite a lot of testing, I have captured all my films on these cameras ever since, with ALEXA Mini LF being my first choice. Natja and I were looking for a cinematic look for ‘Two to One,’ so the decision was pretty clear since the Mini LF fulfills all requirements. We worked with gimbal a lot, operated by Conrad Lobst, but I also did a lot of handheld shooting, which would not have been possible without the Mini LF.” – Martin Langer, Cinematographer
Project: ”Two to One” (”Zwei zu Eins”)
Director: Natja Brunckhorst (@natjabrunkhorst.official )
DP: Martin Langer
2nd Unit DP & Gimbal Operator: Conrad Lobst (@conne2k )
Key Grip: Kim Mikkelsen
Gaffer: Horst Mann
📸 Peter Hartwig (@peterhartwigfoto )
#ARRI#capturedwithARRI#ALEXAMiniLF#ARRIMSeries#ffmuc#behindthescenes#cinematography#doplife
