kunst-dokumentation.com

@kunstdokumentationcom

Professional photo and video documentation of exhibitions, artworks and performances based in Vienna
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Repost• @marianne_vlaschits Herbarium Burggasse, permanent mural at U6 station Burggasse-Stadthalle, Vienna. All plants are architectural ornaments taken from Otto Wagner’s historic Stadtbahn designs. The mural connects the new building to the historic part of the station. Approximately 200 squaremeters silicate paint on concrete walls. 📷 by @kunstdokumentationcom #burggassestadthalle #wienerlinien #kunstimöffentlichenraum #mariannevlaschits #ottowagner #artinpublicplaces #publicart #mural #contemporarypainting #vienna #wien
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10 дней назад
Repost • @neuerkunstvereinwien “Dirty Value”, of @mauricioianes will be activated again this Friday. Artwork in the background: @venturaprofana , How Deep is the Ocean, 2024 Our show THE DISAGREEMENT: A THEATRE OF STATEMENTS is running till 31.07. curated by @bersouza 📷 @kunstdokumentationcom
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21 дней назад
Repost• @galerie.kandlhofer Extended until Wednesday, June 13th 🗓️ For anyone who didn’t have time to see Karl Karner‘s show, you’re in luck – the exhibition has officially been extended until June 13th. Opening hours Tuesday - Friday | 11am - 6pm Saturday | 11am - 4pm Artwork: @karnerkarl (in cooperation with @studio_andreasstern ) , ABW, 2024, aluminum, bronze, wheat, 105x100x38 cm Work images by Manuel Carreon Lopez @kunstdokumentationcom #karlkarner #galeriekandlhofer #contemporaryart #artoftheday #austrianartist #sculpture #outdoorsculpture #arte #art #aluminumsculpture #installationview #artworkvideo #viennagallery #arte #artistoninstagram #artgallery #extendedexhibition #extended
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23 дней назад
Repost• @gregorpodnar Excited and thrilled to be back in @artbasel this week! Exhibted artists at our BOOTH J17 in Hall 2.1 - Primož Bizjak Marieta Chirulescu Robert Gabris Marcius Galan Alexander Gutke Julije Knifer Anne Neukamp Goran Petercol Thania Petersen Helen Verhoeven works on request by Attila Csörgo, Tomislav Gotovac, Irwin, Tobias Putrih, Daniel Spoerri, Goran Trbuljak Gregor Podnar Booth J17, Hall 2.1 Images: Goran Petercol 📷 by @kunstdokumentationcom #artbasel #julijeknifer #thaniapetersen #marciusgalan #artbasel2024 #painting #sculpture #installation #contemporaryart #artwork
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23 дней назад
Repost• @galerie_martin_janda Galerie Martin Janda at @artbasel 2024! Booth L20, Hall 2.1 Private Days: June 11 & 12 Public Days: June 13 - 16 We are showing works by: Alessandro Balteo-Yazbeck Erwin Bohatsch Hugo Canoilas Adriana Czernin Svenja Deininger Milena Dragicevic Nilbar Güres Jakob Kolding Julius Koller Mangelos Jan Merta Roman Ondak Tania Pérez Córdova Roman Signer Rainer Spangl Mladen Stilinovic Chin Tsao We look forward to welcoming you! Image: Hugo Canoilas, Committed to Self-effacement, 2024, high fluid acrylic on cotton 📷 @kunstdokumentationcom #galeriemartinjanda #artbasel2024 #alessandrobalteoyazbeck #erwinbohatsch #hugocanoilas #adrianaczernin #svenjadeininger #milenadragicevic #nilbargüres #jakobkolding #juliuskoller #mangelos #janmerta #romanondak #taniapérezcórdova #romansigner #rainerspangl #mladenstilinovic #chintsao
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23 дней назад
Repost• @christinekoeniggalerie We are excited about Maruša SAGADIN’s third solo show @christinekoeniggalerie 🍐💦🍎⛹🏽‍♀️💧 The exhibition is on view until July 27 -> Tuesday to Friday, 10 am – 6 pm, Saturday, 11 am – 4 pm! (...) Sagadin links her invitation to the viewer in this manner to become a protagonist in her exhibition, with a play that she stages in three acts and which is based on the idea of a sporting event: in the entrance area she arranges various wall objects, reminiscent of basketball baskets and benches for substitute players or the public; in the room behind, a simple shelf is set up as a counter and flanked by two yellow light bulbs, whereas in the final room, an additional bench is located in front of the finely balanced composition of worn-out wallpaper. The final scene is reminiscent of a break room in which the players can enjoy glazed toffee-apples and can change their tank tops. The white object with the circular cut-out at its apex can also be understood at the same time as a reference to Philip Johnson’s skyscraper at 550 Madison Avenue in the Big Apple. (...) (Annette Südbeck, 2024, translation by Sarah Cormack) ➡️ link in bio for the full version of the text and all exhibition views 🫶🏼 . Images: Exhibition views Maruša SAGADIN, Christine König Galerie, Vienna 2024 Photos: @kunstdokumentationcom / Manuel Carreon Lopez #marušasagadin #marusasagadin #christinekoeniggalerie @christinekoeniggalerie #schleifmühlgasse
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23 дней назад
Repost• @grazer_kunstverein CURTIS CUFFIE “Curtis Cuffie’s New York City” 06/04 - 01/06 1-6: Installation views of Katy Abel, untitled, ca. 1994–1996, as part of “Curtis Cuffie’s New York City,” Grazer Kunstverein, 2024. Courtesy: Katy Abel and Galerie Buchholz. Photo: kunst-dokumentation.com #CurtisCuffie #KatyAbel @kunstdokumentationcom @people_funny_boy
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23 дней назад
Repost• @croynielsen CN at ART BASEL BOOTH R24 Soshiro Matsubara LAST NIGHT (LX), 2024 and LAST NIGHT (XLIX), 2023 Glazed ceramics, light bulbs, cable 31 × 41 × 7 cm / 43 × 36 × 8 cm 📷 @kunstdokumentationcom This year our booth features a corridor adorned with works from Matsubara’s series LAST NIGHT, from which some are also included in his current show at Frac Lorraine. The works take up Fernand Khnopff’s well-known Medusa motive while translating it into a new, rougher formal language. Matsubara’s approach to the works of the Belgian symbolist cannot be adequately described with terms such as quotation or homage. His works, in which Khnopff’s motifs and stylistic characteristics can be found quite clearly, are too close and at the same time too little interested in accuracy. Filled with ambiguity and eeriness, Matsubara’s works become emblems of the forces of attraction – from mad obsession to sensuous unions with the beloved. #soshiromatsubara @soshiro_matsubara #artbasel #artbasel2024 #croynielsen
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23 дней назад
Repost• @emanuellayr Upcoming: Evelyn Plaschg at @artbasel Art Basel Galleries, Booth N16, Hall 2.1. Anna Andreeva, Stano Filko, Lena Henke, Evelyn Plaschg, Philipp Timischl 13.–16.6.24 Image: Evelyn Plaschg Appropriate Attempt, 2024 Oil on canvas 180 x 140 cm #layr #artbasel #evelynplaschg @artbasel @evelynplaschg
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23 дней назад
Repost• @croynielsen CN at ART BASEL BOOTH R24 Solo presentation ERNST YOHJI JAEGER as part of the Kabinett section Ernst Yohji Jaeger UNTITLED 1917, STUDY FOR AN ANGEL / TEAR THROUGH TIME, 2024 Oil on canvas 82 × 72 × 3.5 cm (framed) Influenced by various Western and Eastern traditions as well as his own Japanese-German heritage, Ernst Yohji Jaeger draws as much on the history of classical painting as on countercultural currents, video games, manga, and the anime of Yoshitaka Amano. Often depicting androgynous figures that seem caught within their own internal worlds, his works convey a powerful sense of solitude. While Jaeger has arrived at his visual imagery through careful study of Cézanne, Degas, Redon, the Magical Realism of Felice Casorati and the stylized Modernism of Helene Schjerfbeck, his own work moves on an impenetrable border of Figuration and Abstraction and remains intentionally non-historic. Each painting starts with a long preparation process of layering, applying glue and pigments, but also of scratching and erasing. His colors are at once rich and delicate, making the subtly layered paintings glow like twilight scenes. – Stéphanie Moisdon @e_yohji @artbasel #ernstyohjijaeger #croynielsen #artbasel #artbasel24
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23 дней назад
Repost• @irinalotarevich Compressed Structure, 2024 Brass 36 x 94 x 4 cm Currently on view @liste_art_fair_basel with @sophie.tappeiner Photo by @kunstdokumentationcom
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23 дней назад
We’re thrilled to be part of @basel.social.club again this year! There, we present two new works by Austrian artist @angelikaloderer together with Berlin-based gallery @contemporaryfinearts . This year’s edition of Basel Social Club takes place on open-air farmlands behind Basel’s residential neighbourhood of Bruderholz, extending across approximately 50 hectors of land into Baselland - from the city border to the edge of the forest. The two new sculptures presented draw from Loderer’s current exhibition ‘Soil Fictions’ at Belvedere 21 (Vienna) where she shows a site-specific installation that uses soil as the common ground, highlighting its ecological, economic, political, and cultural narratives. An interest in the subterranean and the stories that lurk there, the tension between what is visible and what is hidden, what is ephemeral and what is permanent run like a thread through Loderer’s work. For her critical examination of the concept of sculpture with regard to form and authorship, the artist occasionally engages in a creative dialogue with non-human beings whose habitat is the earth: for her two aluminium sculptures presented here - Soil Fiction (1) (2024) and Soil Fiction (2) (2024) - the artist used abandoned mole tunnels as molds, rendering these negative spaces visible. The result of this creative process gives rise to a chance-driven and posthumanist coexistence of living beings. Pictured here is: Angelika Loderer, Soil Fiction (2), 2024, patinated aluminium, 123 x 162 x 25 cm. Image @kunstdokumentationcom #angelikaloderer #baselsocialclub #basel #contemporaryfinearts #sophietappeiner
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1 месяц назад